Kit Includes:
Atomos Ninja V 5" 4K HDMI Recording Monitor
ULTIMAXX Replacement battery for Sony F960/F970/F975 - 7800 mah x2
ULTIMAXX Travel Charger for Sony F970 / F975
WD 1TB Blue 3D NAND SATA III 2.5" Internal SSD
ULTIMAXX Professional 160 LED Video Light
ULTIMAXX Video Microphone
ULTIMAXX V Shaped Flash Bracket with 3 Cold Shoes
ULTIMAXX HDMI A-A (STANDARD)
ULTIMAXX Microfiber Cleaning Cloth
ULTIMAXX Starter Kit Designed for DSLRs & Video Cameras with Memory Card Holder
The Atomos Ninja V 5" 4K HDMI Recording Monitor is a 5" on-camera monitor/recorder that records and plays back DCI 4K, UHD 4K, and HD video from purpose-built mini-SSDs. It features a 10-bit FRC IPS screen with a brightness of 1000 cd/m², which makes it suitable for use in both exterior and interior conditions. The AtomHDR display technology allows you to accurately monitor your log gamma footage without having to view flat, washed-out looking images or use a LUT to compress the dynamic range and color space. The monitor supports popular log formats from Sony, Canon, Panasonic, ARRI, RED, and JVC cameras. The settings only affect viewing, with recorded video remaining unaltered.
Built to withstand the rigors of production, the Ninja V features an aluminum chassis and powers from a single L-series battery. Additional features include a variety of onscreen exposure analysis, framing, and focus assist tools, as well as anamorphic de-squeeze. A power supply and SSD Caddy are included with the unit.
AtomHDR
With AtomHDR you can monitor up to ten stops of dynamic range of your camera's LOG image. Most conventional monitors can only display six or seven stops, which is fine for standard footage; but a Log image will look overly flat. It is also superior to monitoring with a loaded LUT, which can clip the highlights and mask shadows.
Supported Log Formats
ARRI Log C
Canon CLog / CLog 2
Fuji F-Log
JVC JLog
Sony SLog2 / SLog3
Panasonic Vlog
RED LogFilm
HDR Recording
ARRI Log CEI160 / LogCEI200 / LogCEI250 / LogCEI320/ LogCEI400 / LogCEI500 / LogCEI640 / LogCEI800 / LogCEI1000 / LogCEI1280 / LogCEI1600
Canon CLog / CLog2 / Clog3
Fuji F-Log
JVC JLog1
Panasonic Vlog
PQ10k, HLG
RED LogFilm / Log3G10 / Log3G12
Sony SLog / SLog2 / SLog3
HDR Monitoring
ARRI ALEXA Wide Gamut
Canon Cinema / DCI P3 / DCI P3+ / BT2020
Fuji F-Log
JVC LS300
Panasonic V Gamut
Rec. 2100
Rec. 709
RED DragonColor / DragonColor2 / RedColor2 / RedColor3 / RedColor4 / RedWideGamut
Sony SGamut / SGamut3 / SGamut3.cine / BT2020
Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 on screen
Wide Color Gamut (SGamut / SGamut3 / SGamut3.cine / Canon Cinema / BT2020 / DCI P3 / DCI P3+ / Panasonic V Gamut / ARRI ALEXA Wide Gamut) mapping to Rec. 709 / BT2020 / DCI P3 on loop out
4K 60p Capabilities
Record high-resolution 4K footage in DCI or UHD formats up to 60 fps, including 24 and 25 fps for a more film-like aesthetic. All recordings are stored as high-quality Apple ProRes or Avid DNxHR files with 10-bit 4:2:2 chroma subsampling. A variety of bit rates are available to fit your project and storage needs.
Audio I/O
Audio can be input and output via the multi-pin locking connector. Separately available breakout cables can provide XLR audio input with 48V phantom power and output. A 3.5mm headphone jack on the side can be used for convenient audio monitoring.
5" Daylight Viewable Screen
The Ninja V features a 5" IPS LCD screen that is illuminated by a bright 1000 cd/m² LED backlight, making it possible to view in daylight without requiring a hood. Plus, the screen is also color calibrated from the factory to ensure accurate image representation.
HDR Signal Management
Log and HDR signals can be difficult to monitor with conventional equipment. Though, with the Ninja V's built-in HDR signal management functions, the log signal can be converted to the PQ standard for compatibility with existing consumer and professional HDR equipment.
Anamorphic De-Squeeze
The Ninja V supports Anamorphic de-squeeze, allowing you to comfortably view anamorphic footage with a squeeze of 2x, 1.5x, 1.33, and Panasonic's 8:3.
Edit-Ready Recording
Incoming video signals can be recorded in a wide range of Apple ProRes and Avid DNx codecs which maintain high quality while not requiring the storage space of uncompressed video. Les codecs ProRes et DNx sont tous deux adaptés au montage, ne nécessitant aucune conversion en post-production pour garantir une lecture fluide et une compatibilité avec la plupart des logiciels de montage vidéo courants.
